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Dr Drew Thomas (University of Salzburg), Ms Julia Hintersteiner (University of Salzburg)16/04/2026, 11:30Talk
This paper presents a practical approach to applying the Iconclass system to medieval manuscript imagery by combining image analysis with existing textual metadata. Building on our earlier large-language-model (LLM) pipeline for assigning Iconclass codes to early modern woodcuts, we extend the method to the Wenzelsbibel, a richly illuminated fourteenth-century German Bible.
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The project tests... -
Charles van den Heuvel (University of Amsterdam / Huygens Institute), Etienne Posthumus (FIZ Karlsruhe), Hans Brandhorst (ICONCLASS)16/04/2026, 11:50Talk
Almost every art historian has heard of Iconclass. Less known is that the creator of Iconclass, Henri van de Waal (1910-1972) for the greater part of his life worked on another classification of the arts, with the title: “Beeldleer” (Iconology). It was intended as a tool for “iconological exploration” for mapping still uncharted territories of the arts. In line with Aby Warburg and his...
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Carla Maria Schnedlitz (Austrian National Library), Christoph Steindl (Austrian National Library), Johannes Knüchel (Austrian National Library), Simon Mayer (Austrian National Library)16/04/2026, 12:10Talk
“Reading Images, Writing Metadata” is an ongoing project by the Austrian National Library (ONB) which is aiming towards enriching metadata using various Computer Vision techniques, including AI models and Machine Learning, on a diverse collection of graphics and images.
The pictures and graphics available in the online portal ONB Digital are to be made more accessible through automatic...
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